Chase Scenes: the Physical Element

There is so much out there on the physical element of chase scenes. No discussion of chase scenes is complete without it – maybe because it is the most obvious defining element of this type of scene.   World: Remember that the chase scene takes place in the character’s point of view – with a […]

Rate this:

Chase Scenes: the Mental Element

Oddly, there is very little out on the internet under “writing chase scenes” and “mental” or “emotional”. So I had to figure all this out the hard way… studying lots and lots of chase scenes. Hopefully this series of posts will make things a little easier for future learners.     The mental world is […]

Rate this:

Chase Scenes: the Reader Element

The chase scene should be written (or revised) with the reader in mind. Like with any other type of scene, the reader interacts with the character or characters but the reader is not the character. Just because the character experiences the chase scene in a certain way does not necessarily mean the reader will have […]

Rate this:

Working With the Absent Antagonist

Day Thirty-eight: Skulking (Photo credit: mbshane)   The book opens when the protagonist finds recent signs of the monster she has been hunting. The creature is nearby but does not actually appear until the next scene. Who is her main opponent? The creature. Where is it? Not here. Scenes of pursuit and flight are perhaps […]

Rate this: